Descriptive Summary |
|
Creator: | Brodksy, Judith K. |
Title: | Judith K. Brodsky Papers |
Dates: | 1973-2001 |
Quantity: | 30.5 cubic feet (17 manuscript boxes, 25 records center carton, and 1 newspaper box) |
Abstract: | The Judith K. Brodsky Papers document her professional career as an artist and as an activist. The collection is broken into three thematic subgroups: Judith K. Brodsky, Teaching Files, and Alternative Galleries. Judith K. Brodksy files document her role as activist and advocate for women in the arts. Teaching files document her years teaching at the Mason Gross School of Art, including Art Since the 1960s. Lastly, the Alternative Galleries files contain general information collected by Brodsky on the emergence of the women's art movement of the 1970s. |
Collection No.: | MC 1187 |
Language: | English |
Repository: | Rutgers University Libraries. Special Collections and University Archives |
Judith K. Brodsky was born in 1933, and received her M.F.A. from Harvard University where she majored in art history. A printmaker, artist, and activist, her work is in the collections of over 100 museums and corporations. She was the first artist to be elected President of the Women's Caucus for Art in 1976, a national organization of female professionals in the visual arts, and created the Coalition of Women's Art Organizations in order to lobby Congress on behalf of women in the arts.
Brodsky joined the faculty of Rutgers, the State University of New Jersey in 1978 from Beaver College in Pennsylvania. On joining Rutgers, she became chair of Art Department on the Newark campus, and later served as an associate dean and associate provost before joining the visual arts faculty at the Mason Gross School of the Arts in New Brunswick in 1986. It was during this same year, in New Brunswick, that she established the Rutgers Center for Innovative Print and Paper as an international, national, and regional center for producing prints and handmade paper projects, particularly through culturally diverse artists, for the benefit of education and learning.
She is currently a Professor Emerita in the Department of Visual Arts at Rutgers, State University of New Jersey and is a board member of the New York Foundation for the Arts.. She is also the national president of ArtTable, an organization of 1,200 women in leadership positions in the visual arts, and is a past president of the College Art Association.
The Judith K. Brodsky Papers spans the period 1973-1993, with the bulk of the material dating from 1977 to 1987. It is approximately 30.5 cubic feet in size, comprising 17 manuscript boxes, 25 records center carton, and 1 newspaper box for oversize materials. The collection contains a mixture of formats including photographs and video.
The collection has three thematic subgroups: Judith K. Brodsky, Teaching Files, and Alternative Galleries.
The Judith K. Brodsky subgroup documents Brodsky's professional life, exclusive of teaching, from 1973 through 1988. It chronicles her leading role as an advocate for the equal status of women in the arts, art institutions, and criticism, and art education. The collection consists of three types of files kept by Brodsky: those pertaining to specific professional activities, files of research materials related to her professional interests, and correspondence unrelated to specific activities.
The ACTIVITIES series consists of reports, publications, speeches, articles, correspondence, notes, financial records, and other materials documenting specific professional activities. The bulk of the material involves Brodsky's coordination of FOCUS: Philadelphia Focuses on Women in the Visual Arts (1974), her activities in the Women's Caucus for Art (WCA) from 1977-1988, her involvement in the 1977 International Women's Year (IWY), and her organization of the exhibition Printed by Women (1983), with much of the additional material documenting her growing involvement with Rutgers during this period.
The RESEARCH series includes materials gathered by Brodsky to support her advocacy on behalf of women in art. It largely consists of published writings by others, statistical information gathered from published sources and organizations, bibliographical information, and background materials collected from organizations promoting civil rights and women's rights.
The CORRESPONDENCE series consists of letters to Brodsky, mostly from 1976, unrelated to specific professional activities. Also included are copies of third party correspondence and published materials sent as enclosures with correspondence.
Most of the material is in paper format. There are several original issues of periodicals on newsprint that have been filed in their entirety because of their rarity. These, along with several posters associated with IWY and with CWA conferences and exhibitions as well as a small amount of other oversized material, are housed in a newspaper box. There are a few items in book format, notably U.S. Government documents related to the IWY and a galley of the Printed by Women exhibition catalog that have been stored in folders. Also stored in folders are two sets of index cards related to the artists in Printed by Women. The ACTIVITIES and RESEARCH series include a small amount of photographic material in the form of color slides and black and white prints. These materials have been retained in their respective series because of their limited numbers and their close relationship with the paper materials they accompany.
The Teaching Files subgroup includes materials and activities organized during and as a part of Brodsky's teaching at the Mason Gross School of Arts from roughly 1986 through the 2010s. Of special interest is the class Art Since 1960s and the project "Models of Persistence: Women Artists of the 20th Century." The materials in this subgroup are mainly paper based, although there are a few photographs, slides, and videotapes included. The sub group is divided into five series.
The ART SINCE 1960S COURSE MATERIAL series contains material pertaining to the organization and teaching of the Art Since 1960s course at the Mason Gross School of the Arts. It was a two semester course that ran from the Fall of 1986 through the Spring of 1987. The critical studies course, which became subtitled "Models of Persistence: Women Artists of the 20th Century," was intended to introduce students to unrecognized women artists. It also aimed to examine gender prejudices in the art world by focusing on two living women artists: Minna Citron and Bernarda Bryson Shahn. Students were able to conduct oral history interviews and organize exhibitions around the lives of works of two women artists who were left out of mainstream histories of art. The class also focused on the evolution Abstract Expressionism, related to women artists. Associated with the class, Brodksy held occasional morning seminars which were open to the public. This series includes student papers, grant proposals, budget reports, videotaped interviews, and correspondence.
The MINNA CITRON EXHIBIT series includes documentation of the creation, organization, and opening of the exhibit Minna Citron at 90 which ran from October 3 - 24, 1986. Citron was a New Jersey born artist with a long career as a printmaker and painter. She was chosen as a focus by half of the students participating in the Art Since 1960s class of 1986 and 1987. The series includes exhibit catalogs, correspondence, and press clippings.
The BERNARDA BRYSON SHAHN EXHIBIT series includes material pertaining to the creation, organization, and opening of the exhibit Bernarda Bryson Shahn: The Continuing Creative Journey which ran from March 25 -April 24, 1987. Shahn had been a resident of the New Jersey artist community in Roosevelt since the 1930s, when it was originally called the Jersey Homesteads. Shahn became the focus of the other half of students participating in the Art Since 1960s course. Included in the series are correspondence, proofs of catalogs, and press clippings.
MODELS OF PERSISTENCE: TEACHING, ART, AGE, AND GENDER CONFERENCE took place on April 23, 1987. It was organized as a means of encouraging other educators to examine and counteract the bias towards female artists, particularly those from an older generation. The conference was held at the Mason Gross School of the Arts and was the culmination of the Art Since 1960s course. Materials in this series document the organization of the conference and include various press clippings related to it.
Lastly, VARIOUS TEACHING MATERIALS documents Brodsky's continuing dedication to education from the late 1980s through the late 1990s. Materials include course handouts, syllabi, student papers, MFA and Senior Theses, and a little correspondence.
The Alternative Galleries subgroup documents the general emergence of the women's art movement of the 1970s, including Judith Brodsky's participation in it. The subgroup is divided into six series, consisting of records documenting the activities of alternative galleries devoted to promoting women's art. The material was used and possibly collected as a resource for the writing of a chapter titled "Exhibition, Galleries, and Alternative Spaces." This chapter was published in The Power of Feminist Art: The American Movement of the 1970s, History, and Impact, edited by Norma Broude and Mary D. Garrard in 1994.
The CORRESPONDENCE series consists of miscellaneous cards and notes to brodsky from various individual artists and art institutions. The EXHIBITION NOTICES series consists of exhibition notices and other publicity materials received by Brodksy from 1975-1989. The majority pertains to women artists, although there is one folder of notices for male artists. There is also one folder of notices for the faculty of the Mason Gross School of the Arts. Several exhibition notices are oversized posters, which are housed in the newspaper box. The MISCELLANEOUS EXHIBITS series is composed of publicity handouts and articles devoted to alternative exhibits not associated with specific alternative galleries or institutions.
The SOURCE MATERIALS series comprises the bulk of the subgroup. It is composed of publicity handouts, information schedules, published articles, organization histories, and other documents devoted to specific women's art groups or institutions that impacted the growing visibility of women artists of the 1970s. The series documents the emergence and increasing awareness of the women's art movement across the whole of the United States. Materials include slides, photographs, exhibit catalogs, and paper documents. The series is arranged alphabetically by the name of the gallery or space.
The JOURNALS, MAGAZINES, AND PUBLICATIONS series contains articles and publications that focused on the growing activities within the women's art movement. Publications or catalogs published directly by alternative spaces can be found in the SOURCE MATERIALS series. The series includes copies of the Feminist Art Journal, Women and Art, and Women's Art Journal.
MANUSCRIPT: EXHIBITIONS, GALLERIES, AND ALTERNATIVE SPACES is the final series. It contains two drafts of a chapter authored by Judith Brodsky in the text The Power of Feminist Art, which was edited by Norma Broude and Mary D. Garrard. The chapter deals with the rise of the alternative gallery as a strategy employed by the women's art movement as a means to circumvent the systemic disregard shown to women artists by mainstream art institutions of the 1970s. Also contained in this folder are two computer disks.
All files are arranged chronologically by subject, except for various exhibition files that are arranged alphabetically.
Several collections housed in Rutgers University Special Collections and University Archives are related to Judith Brodsky, Bernarda Bryson Shahn, and the women's art movement in general.
Brodsky's presidency of the WCA (1976-1978) is documented in the Women's Caucus for Art Records (MC 883). The Rutgers Center for Innovative Print and Paper (also known as the Brodsky Center) papers from the mid 1980s through the mid 2000s detail the organization, promotion, exhibitions, and fundraising of the Center which was founded by Brodsky.
The Bernarda Bryson Shahn Papers provide examples of Shahn's work. The Borough of Roosevelt Historical Collection contains items donated by Shahn, detailing her life at the artist's colony.
The records of the Heresies Collective, inc. (MC 1041) and the New York Feminist Art Institute / Lucy Lippard Women's Art Registry (MC 892) include extensive documentation of the feminist art movement from the 1970s to the present.
Judith K. Brodsky Papers. MC 1187. Special Collections and University Archives, Rutgers University Libraries.
This section provides descriptions of the materials found within each series. Each series description is followed by a container list, which gives the titles of the "containers" (for example, folders, volumes, or cassettes) and their locations in the numbered boxes that comprise the collection. The availability of any digital items from a container is indicated with a hyperlink.
JUDITH K. BRODSKY | |||||||||||
ACTIVITIES, 1973-1991, 1998-2000 (6 cubic feet) | |||||||||||
Arrangement: Arranged chronologically by subject. Oversized materials listed at the end of the series. | |||||||||||
Summary: This series documents Brodsky's professional activities, exclusive of teaching and her presidency of the Women's Caucus for Art (WCA). Document types include copies of articles, reports and speeches, notes, correspondence, publications, organizational reports, financial records, curatorial files, a slide presentation, and a small number of photographic prints and videos. This material, as well as Brodsky's collection and arrangement of it, provides documentation not only of her career but of her work practices, cognitive practices, and unwavering focus on improving the status of women. | |||||||||||
Much of the material represents Brodsky's post-presidency involvement in the WCA. Particularly the national conferences from 1984 through 1988, the organization of the exhibition Contemporary Issues: Works on Paper by Women, the 1987 reorganization of the newsletter Hue Points, and other activities. There is also a substantial amount of material related to the International Women's Year (IWY), with a special focus on the organization of the 1977 National Women's Conference in Houston and the Coalition of Women's Art Organizations. Further documentation of Brodsky's political activism is found in her participation in drafting a proposal to the New Jersey Department of Higher Education for an Institute for Research on Women. Finally, this series provides some documentation of the RCIPP activities in the late 1990s. Throughout the series, there is ample evidence that Brodsky saw the art exhibition as a strategy to advocate and educate for and about women artists. | |||||||||||
Box | Folder | ||||||||||
1 | 1 | Published Writings: Art and Geometry, book side bar (?), undated | |||||||||
2 | Published Writings: Some Notes on Women Printmakers, 1976 | ||||||||||
Art Journal vol. 35 no. 4 | |||||||||||
3 | Published Writings: Reflections on the Women's Movement, 1977 | ||||||||||
Visual Dialog vol. 2 no. 3 | |||||||||||
4 | FOCUS: Grant Applications and Rejection Letters, 1973-1974 | ||||||||||
5 | FOCUS: Steering Committee, 1973-1974 | ||||||||||
6 | FOCUS: Finance Committee, 1973-1974 | ||||||||||
7 | FOCUS: Financial Reports, 1974 | ||||||||||
8 | FOCUS: National Endowment for the Arts, Final Report, 1974 | ||||||||||
9 | FOCUS: Unpaid Reimbursements, 1974-1975 | ||||||||||
10 | American Political Science Association: JKB Presentation, 1975 | ||||||||||
11 | International Women's Year: Official Photographer and Recorder Contact Information, undated | ||||||||||
12 | International Women's Year: Publications, 1976 | ||||||||||
13 | International Women's Year: National Women's Conference Publications, 1976-1977 | ||||||||||
14 | International Women's Year: Bernice Baer Correspondence, 1976-1977 | ||||||||||
With IWY materials. | |||||||||||
15 | International Women's Year: New Jersey Conference, 1977 | ||||||||||
16 | International Women's Year: Proposed Amendments to the Arts and Humanities Resolution, Coalition of Women's Art Organizations, 1977 | ||||||||||
17 | International Women's Year: Survey Related to Arts and Humanities Resolution, 1977 | ||||||||||
18 | International Women's Year: Coalition of Women's Art Organizations, 1977 | ||||||||||
Additional arts resolutions. | |||||||||||
19 | International Women's Year: National Women's Conference, Houston, 1976 | ||||||||||
Panel. | |||||||||||
Box | Folder | ||||||||||
2 | 1 | International Women's Year: National Women's Conference, Houston, 1977 | |||||||||
Financial materials. | |||||||||||
2 | International Women's Year: National Women's Conference, Houston, 1977 | ||||||||||
Thank you notes. | |||||||||||
3 | Women's Caucus for Art: Contemporary Issues: Works on Paper by Women, 1977-1978 | ||||||||||
Organizational materials. | |||||||||||
4 | Women's Caucus for Art: JKB Paper regarding White House Conference on the Arts, 1978? | ||||||||||
5 | Women's Caucus for Art: New Jersey Chapter, 1980? | ||||||||||
6 | Women's Caucus for Art: Ann Sutherland Harris Correspondence, 1981 | ||||||||||
7 | Women's Caucus for Art: Honor Awards, 1982 | ||||||||||
8 | Women's Caucus for Art: Benefit, 1983 | ||||||||||
9 | Women's Caucus for Art: General File, 1983-1984 | ||||||||||
See also newspaper box, folder 4. | |||||||||||
10 | Women's Caucus for Art: Conference, Toronto, 1984 | ||||||||||
11 | Women's Caucus for Art: Conference, Los Angeles, 1985 | ||||||||||
12 | Women's Caucus for Art: New York Chapter, 1985 | ||||||||||
13 | Women's Caucus for Art: Conference, New York, 1986 | ||||||||||
14 | Women's Caucus for Art: Conference, Boston, 1987 | ||||||||||
Box | Folder | ||||||||||
3 | 1 | Women's Caucus for Art: Conference, Boston, 1987 | |||||||||
See also newspaper box, folder 5. | |||||||||||
2 | Women's Caucus for Art: Hue Points Correspondence, 1987 | ||||||||||
3 | Women's Caucus for Art: WCA Presidential Election, 1987 | ||||||||||
4 | Women's Caucus for Art: WCA Presidential Election Ballots, 1987 | ||||||||||
5 | Women's Caucus for Art: General, 1987-1988 | ||||||||||
6 | Women's Caucus for Art: Conference, Houston, 1988 | ||||||||||
See also newspaper box, folder 6. | |||||||||||
7 | National Art Bank Act: Testimonies of JKB and Others, 1978 | ||||||||||
8 | Slide Presentation: Slides, 1982 | ||||||||||
9-10 | Slide Presentation: Original Sources for Slides, 1982? | ||||||||||
11 | Slide Presentation: Statistics, 1982? | ||||||||||
12 | Printed by Women: Invited Exhibitor RSVPs, 1983 | ||||||||||
Box | Folder | ||||||||||
4 | 1 | Printed by Women: Artist Information Cards, 1983 | |||||||||
2 | Printed by Women: Artist Resumes, 1983 | ||||||||||
3-5 | Printed by Women: Curatorial Files, 1983 | ||||||||||
See also newspaper box, folder 7. | |||||||||||
6 | Printed by Women: Artist Bios, Abrams-Chase, 1983 | ||||||||||
7 | Printed by Women: Artist Bios, Chernow-Glenn, 1983 | ||||||||||
8 | Printed by Women: Artist Bios, Gimber-Lark, 1983 | ||||||||||
Box | Folder | ||||||||||
5 | 1 | Printed by Women: Artist Bios, Law-Murphy, 1983 | |||||||||
2 | Printed by Women: Artist Bios, Mussoff-Slavin, 1983 | ||||||||||
3 | Printed by Women: Artist Bios, Sloan-Welch, 1983 | ||||||||||
4 | Printed by Women: Artist Bios, Worthin-Zetlin, 1983 | ||||||||||
5 | Printed by Women: Exhibition Catalog, 1983 | ||||||||||
6 | Women's Spheres: JKB Presentation, Publications, Correspondence, 1983 | ||||||||||
7 | Women Artists Series, Douglass College, Jury File, 1984 | ||||||||||
8 | Women Artists Series, Douglass College, Jury File, 1985 | ||||||||||
9 | Women Artists Series, Douglass College, Jury File, 1986 | ||||||||||
10 | Institute for Research on Women: Gender Perspective Proposal, 1986 | ||||||||||
11 | New Jersey Project: Integrating the Scholarship of Gender: Administrator's Day, 1986-1987 | ||||||||||
12 | New Jersey Project: Integrating the Scholarship of Gender: Summer Institute, 1987 | ||||||||||
13 | Artists and Printers: The Collaborative Process: Video Logs and Seminar Brochure, 1986-1987 | ||||||||||
Box | |||||||||||
41 | Personal-CAA panels, 1994 | ||||||||||
Box | |||||||||||
43 | RCIPP, Arts Inclusion, 1998-? | ||||||||||
Including Jewish Center. | |||||||||||
Box | |||||||||||
36 | RCIPP files, 1999 | ||||||||||
Box | |||||||||||
37 | The Paper Trail exhibition, 2000 | ||||||||||
Box | |||||||||||
44 | Cortona, Philadelphia Print Collaborative, 2001 | ||||||||||
Box | |||||||||||
45 | Art Table, 2001-2003 | ||||||||||
Box | Folder | ||||||||||
19 [oversized] | 1 | International Women's Year: National Women's Conference, 1977 | |||||||||
Publication. | |||||||||||
2 | International Women's Year: National Women's Conference, 1977 | ||||||||||
Exhibition poster. | |||||||||||
3 | Women's Caucus for Art: Clay, Fiber, Metal: Women Artists, 1978 | ||||||||||
Exhibition poster. | |||||||||||
4 | Women's Caucus for Art: Women's Newspaper of Princeton, September 18, 1983 | ||||||||||
Contains obituary of Elizabeth Monath. | |||||||||||
5 | Women's Caucus for Art: Conference, Boston, 1987 | ||||||||||
Exhibition poster. | |||||||||||
6 | Women's Caucus for Art: Conference, Houston, 1988 | ||||||||||
Exhibition poster. | |||||||||||
9 | Printed by Women, 1983 | ||||||||||
Curatorial materials. | |||||||||||
RESEARCH, 1973-1987 (.7 cubic feet) | |||||||||||
Arrangement: Arranged chronologically. | |||||||||||
Summary: These files contain materials related to the status of women in the arts, arts organizations, and higher education which were collected by Brodksy on an ongoing basis to support her activities. The files consist of published writings by others, statistical information gathered from published sources and organizations, bibliographical information, contact lists and directories, and background information from organizations such as the Task Force on Discrimination Against Women and Minorities in Art, the project on the Status and Education of Women, and the National Foundation for Advancement in the Arts. Of particular note is a large collection of statistics from 1973-1985 related to discrimination against women in art and higher education which were compiled by Ferris Olin, a WCA colleague and Rutgers Art Librarian during this time period. Also of note are a few complete original issues of limited circulation periodicals like Art Worker's News, BVAU News, and New Art Examiner. Collectively, this series serves as a comprehensive guide to the status of women in art. | |||||||||||
Box | Folder | ||||||||||
6 | 1-2 | Statistics, undated | |||||||||
Compiled by Ferris Olin. | |||||||||||
3 | Journal Articles by Others, 1975-1976 | ||||||||||
4 | Statistics on Gender Discrimination, 1975-1978 | ||||||||||
5 | Journal, Newspaper, and Newsletter Articles by Others, 1976 | ||||||||||
6 | Statistics, New Jersey Artist Series, 1977? | ||||||||||
7 | Paper by Mary Garrard, 1977 | ||||||||||
8 | College Art Association: Survey of MFA Degree Granting Institutions, 1977 | ||||||||||
First draft. | |||||||||||
9 | College Art Association: Survey of MFA Degree Granting Institutions, 1977 | ||||||||||
Final draft. | |||||||||||
10 | Bibliographie: Worldwide Books, Northwestern University, 1977-1979 | ||||||||||
11 | Directories of Women Artists and Women's Art Organizations, 1977-1979 | ||||||||||
12 | Journal and Newspaper Articles by Others, 1978 | ||||||||||
13 | Task Force on Discrimination Against Women and Minorities in Art, 1978 | ||||||||||
14 | Talk by M. Elizabeth Tidball, Barnard Alumni Conference, 1978 | ||||||||||
15 | MUSE Gallery, 1978-1979 | ||||||||||
16 | Project on the Status and Education of Women, 1978-1980 | ||||||||||
17 | Sandra L. Langer Proposal for History of Women's Art Organizations, 1979 | ||||||||||
18 | U.S. Commission on Civil Rights Report, 1979 | ||||||||||
Box | Folder | ||||||||||
7 | 1 | Feminist Art Institute Materials, 1979-1980 | |||||||||
2 | Published Writings by Others, 1979-1984 | ||||||||||
3 | Women's Project of New Jersey, introduction, circa 1980s | ||||||||||
4 | Bibliography, Routledge and Kegan Paul, 1981 | ||||||||||
5 | Project on the Status and Education of Women, 1981-1986 | ||||||||||
6 | National Foundation for Advancement in the Arts Publications, 1982-1983 | ||||||||||
7 | Discrimination Statistics, 1984 | ||||||||||
8 | National Museum of Women in the Arts, 1986 | ||||||||||
Publications, articles, and ephemera. | |||||||||||
9 | Women's World Center Newsletter, 1986 | ||||||||||
10 | Women's Studies Bibliographies, 1979-1984 | ||||||||||
11 | New Jersey Research Conference on Women, 1987 | ||||||||||
12 | Video Bibliography, 1987 | ||||||||||
Connie Goldman Productions. | |||||||||||
Box | Folder | ||||||||||
19 [oversized] | 8 | Journal and Newspaper Articles by Others: BVAU News, 1976 | |||||||||
9 | Journal and Newspaper Articles by Others: Art Workers News, Harvard University Gazette, New Art Examiner, 1976-1977 | ||||||||||
10 | Statistics From Art Workers News, Harvard University Gazette, Chronicle of Higher Education, 1978-1980 | ||||||||||
CORRESPONDENCE, 1975-1987 (.1 cubic feet) | |||||||||||
Arrangement: Arranged chronologically. | |||||||||||
Summary: These files contain professional and personal letters to Brodsky, mostly from 1976. They also contain copies of correspondence involving other parties, publications sent to Brodsky, some artist material, and notes Brodsky made for herself. Much of the correspondence reflects Brodksy's research interests as described above. Of special note is the "Think Tank" correspondence in 1980 between Brodsky, Harriet Lyons, and Miriam Schapiro in which they shared ideas for participants in a proposed conference on women in the arts. | |||||||||||
Box | Folder | ||||||||||
7 | 13 | Correspondence, 1975 | |||||||||
14 | Correspondence, 1976 | ||||||||||
15 | Correspondence, 1977-1979 | ||||||||||
16 | "Think Tank" Correspondence, 1980 | ||||||||||
Harriet Lyons, Miriam Schapiro. | |||||||||||
17 | Correspondence, 1981-1987 |
TEACHING MATERIALS | |||||||||||
ART SINCE 1960s COURSE MATERIAL, 1986-1988 (.5 cubic feet) | |||||||||||
Arrangement: Arranged alphabetically. | |||||||||||
Summary: Documents the course "Art Since 1960" taught by Brodsky at the Mason Gross School of the Arts from the fall semester of 1986 through the spring semester of 1987. | |||||||||||
Includes incoming and outgoing correspondence, both of a personal and professional nature; copies of student work produced as part of the course requirements; bibliographies and background information provided for students on specific artists studied; grant proposals and budget reports; information regarding seminar speakers; and external evaluation reports of the course. Other materials refer to lectures given by the artist Minna Citron, and written works produced by her in conjunction with collaborators. | |||||||||||
Also included in the series are photographs of speakers at various seminars presented as part of the course, and videotapes of interviews and background materials on the featured artists. | |||||||||||
Videotapes are filed separately. | |||||||||||
Box | Folder | ||||||||||
8 | 1 | Articles for Students, 1975-1986 | |||||||||
2 | Artist Exhibition History, 1940-1986 | ||||||||||
3 | Artist Interview and Lecture History, 1952-1977 | ||||||||||
4-5 | Artist Publications, undated | ||||||||||
6 | Artist Videotape Interview and Logs, October 21, 1986 - November 4, 1986 | ||||||||||
Box | |||||||||||
18 | Artist Videotape: Minna Citron, various clips, October 15, 1986 | ||||||||||
Two tapes. | |||||||||||
Artist Videotape: Bernarda Bryson Shahn Interview, October 21, 1986 | |||||||||||
Three tapes. | |||||||||||
Artist Videotape: Bernarda Bryson Shahn, Interview Part 2, October 22, 1986 | |||||||||||
Four tapes. | |||||||||||
Artist Videotape: Minna Citron, Interview, October 15, 1986 | |||||||||||
Five tapes. | |||||||||||
Artist Videotape: Roberto Juarez and Ken Tyler Interview, October, November 1986 | |||||||||||
Three tapes. | |||||||||||
Box | Folder | ||||||||||
8 | 7 | Bibliographies and Reading Lists, 1986 | |||||||||
8 | Budget Reports, October 1986 - August 1987 | ||||||||||
9 | Class Trip Participants, 1986 | ||||||||||
10 | DHE Final Report, 1988 | ||||||||||
11 | DHE Grant Proposal and Correspondence, 1986 | ||||||||||
12 | External Evaluator Report and Correspondence, 1986-1987 | ||||||||||
Box | Folder | ||||||||||
9 | 1-3 | Final Student Papers, 1987 | |||||||||
4 | Lecture and Presentation Notes, September - December 1986 | ||||||||||
5 | Official Correspondence, August 5, 1986 - October 14, 1986 | ||||||||||
6 | Other Media, undated | ||||||||||
Photographic. | |||||||||||
7 | Personal Correspondence, July 30, 1987 - October 6, 1987 | ||||||||||
8 | Press Clippings, September 1986 - April 1987 | ||||||||||
9 | Seminar Series Correspondence, August 1, 1986 - January 25, 1987 | ||||||||||
10 | Seminar Series Participant Information, June - August 1986 | ||||||||||
11 | Seminar Series Publicity Information, September 1986 | ||||||||||
12 | Spring Semester Schedule, January 1987 | ||||||||||
13 | Student Research Packets, October 1986 | ||||||||||
14 | Teaching Guide, circa 1986 | ||||||||||
MINNA CITRON EXHIBITION, 1986-1992, BULK 1986-1987 (2.5 cubic feet) | |||||||||||
Arrangement: Arranged chronologically. | |||||||||||
Summary: Pertains to the creation, organization, and opening of the exhibit Minna Citron at 90. The exhibition was organized in the fall of 1986 by Judith Brodsky and her students involved in the critical studies course "Art Since 1960." | |||||||||||
Includes official and personal correspondence, including some directly addressed to the artist; exhibition catalogs and advertising materials; press clippings; and videotapes of a birthday reception for Citron held at mason Gross during the exhibition. | |||||||||||
Among the personal correspondence is a letter from a niece of Minna Citron regarding the artist's health and several birthday cards from friends of the artist sent care of Brodsky. Also of interest is a letter from the director of the Zimmerli Museum regarding the donation of one of Citron's works to the museum. | |||||||||||
Additional materials include notes made by Brodsky for the funeral oration for the artist in 1992. These are placed at the end of the series, and are based on the materials written for the exhibit catalog. They are hand written by Brodsky. | |||||||||||
Box | Folder | ||||||||||
10 | 1-2 | Personal Correspondence, June 12, 1985 - November 21, 1987 | |||||||||
3 | Official Correspondence, September 26, 1986 - October 13, 1986 | ||||||||||
4 | Publications and Press Information, October 1986 - April 1987 | ||||||||||
5 | Birthday Reception, October 15, 1986 | ||||||||||
6 | Press Clippings, October 1986 - February 1987 | ||||||||||
7 | Exhibit Catalog Planning and Correspondence, February - April 1987 | ||||||||||
8 | Notes for Funeral Oration, March 15, 1992 | ||||||||||
9 | Other Media, October 1986 - April 1987 | ||||||||||
Photographic. | |||||||||||
BERNARDA BRYSON SHAHN EXHIBITION, 1987-1988 (.1 cubic feet) | |||||||||||
Arrangement: Arranged chronologically, with undated material at the end. | |||||||||||
Summary: Documents in this series pertain to the creation, organization, and opening of the exhibit Bernarda Bryson Shahn: The Continuing Creative Journey. The exhibition was organized in the spring of 1987 by Judith Brodsky and her students involved in the critical studies course "Art Since 1960." | |||||||||||
Also included in the series are correspondence, exhibition catalogs, advertising materials, and press clippings about the exhibit held at Mason Gross. | |||||||||||
Some photographs of the artist and her work are also included among the undated materials. The photographs are 8x10 glossy black and white prints of particularly well known pieces, as well as a publicity portrait of the artist herself. | |||||||||||
Box | Folder | ||||||||||
11 | 1 | Correspondence, January 26, 1987 - March 16, 1987 | |||||||||
2 | Exhibit Catalog Design and Correspondence, March 3, 1987 - March 27, 1987 | ||||||||||
3 | Press Clippings, April 5, 1987 - January 1, 1988 | ||||||||||
4 | Publications and Press Information, 1987 | ||||||||||
5 | Photographs, undated | ||||||||||
MODELS OF PERSISTENCE: TEACHING ABOUT ART, AGE, AND GENDER CONFERENCE, 1987 (.1 cubic feet) | |||||||||||
Arrangement: Arranged chronologically. | |||||||||||
Summary: Documents the planning and production of Models of Persistence: Teaching about Art, Age, and Gender. The conference was organized by Judith Brodsky and her colleagues on April 23, 1987 | |||||||||||
This series contains correspondence, publicity information and teaching guides, and press clippings relating to the conference. Also includes some publicity photographs used in conjunction with materials given to members of the press reporting on the conference and speakers. | |||||||||||
Box | Folder | ||||||||||
11 | 6 | Flyer Design and Correspondence, February 5, 1987 - March 3, 1987 | |||||||||
7 | Facilities Planning and Correspondence, February 10, 1987 - April 22, 1987 | ||||||||||
8 | Publications and Press Information, March - April 1987 | ||||||||||
9 | Press Clippings, March - April 1987 | ||||||||||
10 | Other Media, circa 1987 | ||||||||||
GENERAL TEACHING FILES, 1978-2001 bulk 1990s (21 cubic feet) | |||||||||||
Arrangement: Arranged chronologically. | |||||||||||
Summary: Documents the teaching career of Brodksy at Rutgers University. Items include correspondence, students papers, theses, syllabi, teaching materials, and grants. | |||||||||||
Box | |||||||||||
34 | Rutgers Newark, 1978-1985 | ||||||||||
Box | |||||||||||
39 | Grants and Various Files, Newark, 1980s | ||||||||||
Box | |||||||||||
46 | Grants and Various Files, Newark, 1987-1988 | ||||||||||
Box | |||||||||||
42 | Rutgers Syllabi, 1989-1991 | ||||||||||
Box | |||||||||||
25 | Teaching Files, 1989-1990 | ||||||||||
Box | |||||||||||
27 | Department of Visual Arts Files, 1991 | ||||||||||
Box | |||||||||||
20 | Senior Theses, MFA Papers, Grade Sheets, Committee Files, 1992 | ||||||||||
Box | |||||||||||
22 | Teaching Materials, 1992 | ||||||||||
Box | |||||||||||
26 | Senior Thesis Readings and Graduate Criticism Class, 1992-1993 | ||||||||||
Box | |||||||||||
35 | Teaching Files, 1993 | ||||||||||
Box | |||||||||||
24 | Teaching Files, 1993 | ||||||||||
Box | |||||||||||
30 | Teaching Files, 1993-1994 | ||||||||||
Box | |||||||||||
29 | Teaching Files, 1994-1995 | ||||||||||
Box | |||||||||||
23 | Teaching Files, Handouts, 1995 | ||||||||||
Box | |||||||||||
40 | Teaching Files, 1995 | ||||||||||
Box | |||||||||||
28 | Teaching Files, 1995-1998 | ||||||||||
Box | |||||||||||
32 | Teaching Files, 1996 | ||||||||||
Box | |||||||||||
33 | Teaching Files, 1996 | ||||||||||
Box | |||||||||||
38 | Newark Collaboration and NEA Grant, 1996 | ||||||||||
Box | |||||||||||
42 | Teaching Files, 1997 | ||||||||||
Box | |||||||||||
31 | Teaching Files, 1998 | ||||||||||
Box | |||||||||||
41 | Teaching Files, 1999 | ||||||||||
Box | |||||||||||
21 | Teaching Files and Emeritus Status, 1999-2000 | ||||||||||
Box | |||||||||||
24 | Teaching Files, 1999-2001 |
ALTERNATIVE GALLERIES | |||||||||||
CORRESPONDENCE, 1980-1987 (.1 cubic feet) | |||||||||||
Arrangement: Arranged chronologically. | |||||||||||
Summary: Document types include personal notes, invitations to dinner parties, and seasonal greeting cards received by Brodsky from various artists and some institutions. | |||||||||||
Box | Folder | ||||||||||
12 | 1 | Correspondence, 1980-1987 | |||||||||
EXHIBITION NOTICES, 1975-1989 (.5 cubic feet) | |||||||||||
Arrangement: Arranged alphabetically. Oversized materials at the end of the series. | |||||||||||
Summary: The bulk of the series is composed of exhibition notices from various women artists. A small portion of the series consists of exhibition notices from men and faculty from Mason Gross. Notices are most often 3x5 color postcards. of note here are exhibit postcards for many of the leaders of the early women's art movement. | |||||||||||
Box | Folder | ||||||||||
12 | 2 | Group Shows, 1975-1988 | |||||||||
3 | Male Artists, 1981-1988 | ||||||||||
4 | Mason Gross Faculty, 1986-1988 | ||||||||||
5 | Miscellaneous, 1982-1983 | ||||||||||
6 | Women Artists "A", 1982-1988 | ||||||||||
7 | Women Artists "B-C", 1980-1988 | ||||||||||
8 | Women Artists "D", 1978-1987 | ||||||||||
9 | Women Artists "E-F", 1978-1988 | ||||||||||
10 | Women Artists "G", 1982-1988 | ||||||||||
Box | Folder | ||||||||||
13 | 1 | Women Artists "H", 1981-1988 | |||||||||
2 | Women Artists "I-K", 1980-1988 | ||||||||||
3 | Women Artists "L", 1981-1988 | ||||||||||
4 | Women Artists "M", 1983-1988 | ||||||||||
5 | Women Artists "N", 1981-1988 | ||||||||||
6 | Women Artists "O-R", 1980-1989 | ||||||||||
7 | Women Artists "S", 1980-1988 | ||||||||||
8 | Women Artists "T", 1982-1988 | ||||||||||
9 | Women Artists "U-V", 1984-1988 | ||||||||||
10 | Women Artists "W", 1981-1988 | ||||||||||
11 | Women Artists "X-Z", 1983-1986 | ||||||||||
Box | Folder | ||||||||||
19 [oversized] | 11 | Institute of Contemporary Art, University of Pennsylvania: Red Grooms' Philadelphia Cornucopia and Other Sculpto-Pictoramas, 1982 | |||||||||
Exhibition poster. | |||||||||||
12 | Hicks Art Gallery, Bucks County Community College, 6 Artists, 1985 | ||||||||||
Exhibition poster. | |||||||||||
Box | Folder | ||||||||||
18 [oversized] | 13 | Jan Cicero Gallery, Olga Moore: Works on Paper, 1981 | |||||||||
Exhibition poster. | |||||||||||
Box | Folder | ||||||||||
19 [oversized] | 14 | Yoseido Gallery, Merle Spandorfer, 1981 | |||||||||
Exhibition poster. | |||||||||||
15 | Museum of Art, Rhode Island School of Design: Golda Lewis, Sidewalks of New York: Reliefs, 1981 | ||||||||||
Exhibition poster. | |||||||||||
MISCELLANEOUS EXHIBITS, 1976-1987 (.8 cubic feet) | |||||||||||
Arrangement: Arranged alphabetically. | |||||||||||
Summary: This series contains publicity material and handouts for women's art exhibits or alternative art exhibits that were not directly affiliated or sponsored by women's organizations. | |||||||||||
Box | Folder | ||||||||||
14 | 1 | Alternative Spaces - A History in Chicago, 1984 | |||||||||
2 | Making their Mark, 1987 | ||||||||||
3 | Women:Art:Houston, 1977 | ||||||||||
4 | Women Artists, Here and Now, 1976 | ||||||||||
SOURCE MATERIALS, 1972-1993 (.2 cubic feet) | |||||||||||
Arrangement: Arranged alphabetically. | |||||||||||
Summary: This series is devoted to documenting the rise and growth of the women's art movement of the 1970s. Brodksy most likely collected this material in the course of researching a chapter she was writing that was included in The Power of Feminist Art, edited by Norma Broude and Mary D. Garrard. The files vary in breadth and depth. Files contain early descriptions and organization objectives, histories of the organizations, board member lists, exhibit budgets, grants, artist bios, and exhibit catalogs. | |||||||||||
Several of the country's important women's art organizations are represented here. HERA Gallery, MUSE Gallery, the Women's Caucus for Art (WCA), SoHo 20, and the Women's Art Registry of Minnesota (WARM). Taken collectively, the files give a picture of various women's organizations through the country that worked to promote women's art and educate others about women's art. | |||||||||||
Of special note are extensive documents for the WWAC (Washington Women's Art Center). | |||||||||||
Box | Folder | ||||||||||
14 | 5 | A.I.R. Gallery (Artists in Residence), 1972-1984 | |||||||||
6 | ARC Gallery (Artist Residents Chicago), 1980 | ||||||||||
7 | Arizona - Women in Art, 1980 | ||||||||||
8 | Artemisia Gallery, 1973-1993 | ||||||||||
9 | Asian American Women Arts Association, 1992 | ||||||||||
10 | Center Gallery, 1989-1993 | ||||||||||
11 | Coalition of Women's Art Organizations, 1977 | ||||||||||
12 | Colorado Women in the Arts, 1979 | ||||||||||
13 | Douglass College, Women Artist Series, 1980-1992 | ||||||||||
14 | Focus Gallery, 1974 | ||||||||||
15 | Front Range, 1973-1993 | ||||||||||
Box | Folder | ||||||||||
15 | 1 | HERA Gallery, 1985-1993 | |||||||||
2 | INTAR Latin American Gallery, 1985-1993 | ||||||||||
3 | Miscellaneous Women's Exhibits, 1977-1990s | ||||||||||
4 | MUSE Gallery, 1978-1983 | ||||||||||
5 | National Museum of Women in the Arts, 1987 | ||||||||||
6 | New York Feminist Art Institute, 1981-1993 | ||||||||||
7 | SoHo 20, 1976-1992 | ||||||||||
8 | Washington Women's Art Center, 1978-1985 | ||||||||||
9 | Washington Women's Art Center, Corcoran Conference, 1972 | ||||||||||
10 | Washington Women's Art Center,Visual Materials, 1978-1985 | ||||||||||
Box | Folder | ||||||||||
16 | 1 | Woman's Building, 1975-1993 | |||||||||
2 | Women and their Work, 1979-1993? | ||||||||||
3 | Women's Art Registry of Minnesota (WARM), 1984-1988 | ||||||||||
4 | Women in the Arts, 1973 | ||||||||||
5 | Women's Caucus for Art (WCA), 1977-1993 | ||||||||||
JOURNALS, MAGAZINES, AND PUBLICATIONS, 1971-1992 (.2 cubic feet) | |||||||||||
Arrangement: Arranged alphabetically. | |||||||||||
Summary: This series contains articles covering the growing presence of the women's art movement. Represented journals and magazines run the gamut from harder to find journals like The Feminist Art Journal to more mainstream publications like the New York Times Magazine. | |||||||||||
Box | Folder | ||||||||||
17 | 1 | Arts Magazine, 1992 | |||||||||
2 | By Our Own Hands, 1977 | ||||||||||
3 | Feminist Art Journal, 1972-1976 | ||||||||||
4 | Interviews with Women in the Arts part 2, 1976 | ||||||||||
5 | The New Art Examiner, 1979 | ||||||||||
6 | New York Times Magazine, 1977 | ||||||||||
7 | Visual Dialog, 1975-1977 | ||||||||||
8 | Women and Art, 1971 | ||||||||||
9 | Women and the Arts, 1974 | ||||||||||
10 | Women's Art Journal, 1980 | ||||||||||
MANUSCRIPT, Circa 1993 (.1 cubic feet) | |||||||||||
Arrangement: Arranged alphabetically. | |||||||||||
Summary: The series contains two drafts of a chapter authored by Brodsky in the book The Power of Feminist Art: The American Movement of the 1970s, History and Impact, edited by Norma Broude and Mary D. Garrard. Also included are two computer diskettes, marked "Revised Chapter" and "Revised Chapter Back-Up." A copy of the letter from Brodksy to Ruth Peterson describing the draft is also included. In 1994 Harry N. Abrams published the book. " | |||||||||||
Box | Folder | ||||||||||
17 | 11 | Manuscript, two drafts and two floppy disks, circa 1990s |